Instrument Microphones

• Cardoid & omni element incl.• 132 dB max SPL• Condenser microphone• Excellent dynamics The DAP CM-1 is a thin model condenser-microphone that comes with a cardioid and omni element. Depending on the application or personal taste the element can be exchanged. The CM-1 is ideally suited as a microphone for recording live ambient, drum overhead or acoustic instruments. Type: CondenserFreq. response: 30 Hz - 22 kHz (-3 dB)Polar pattern: omni or cardioidSensitivity: 10 mV/Pa -40 dB -Max. SPL: 132..

The DAP CM-10 is a cardioid condenser microphone designed for Piano, acoustic Guitar, Acoustic Bass, Strings, Woodwinds, Orchestra, Cymbals, Live/studio Recording and Vocals. Type: Back Electret CondenserPolar pattern: Super CardioidFreq. response: 50~16000 HzSensitivity (1000 Hz): 7 mv/Pa* (*1 Pa = 94 dB SPL)Max. SPL: 137 dB (THD ? 1% 1000 Hz)Impedance: 200 OhmPower supply: 9~48 PhantomConnector: 3p. XLR (male-type)Accessories: Treat adapter 5/8, 4/8, 3/8 Stand mount with 5/8 treat 1 storage..

• -10dB Pad switch • Low cut filter• Including D8946 microphone clamp The CM-45 is a back electret condenser microphone to be used as overhead. It's suitable for mid to high frequency instruments and capable to resist high SPL without distortion. This makes it also a good overhead solution for drums. It has a low cut filter and pad switch which makes it more flexible for different situations. Type: Back electret, Ø16 mmPolar Pattern: CardioidFrequency Response: 40-20,000 HzLow Frequency Filter..

• Combine with DM-55 for an excellent kick drum sound• 149 dB max SPL• Frequency response maximized for kickdrum• Wide dynamic range This low profile boundary kick drum mic gives you a drum sound with an excellent attack and punch. It can handle very high SPL's and should be used in the kick drum on a pillow or other surface. To get more flexibility and create a better drum sound you can use it together with the DAP DM-55 (D1357). The CM-95 has a fixed cable of 1.5m with an XLR connector. Type..

• Extended frequency response and wide dynamic range for pure and natural sound delivery• Good flexible gooseneck and adjustable axis ensure a precise positioning of the microphone• Clamp with soft grip for secure mic.- mounting without damaging the instrument• Carioid pattern prevents interception of nearby instruments The DCLM-60 Miniature clip on condenser microphone is designed for the miking of Drums and percussion instruments. The mounting clamp is special designed to gently hold the ring ..

The DAP microphone DM-20 handles extreme low-frequency volume levels and is specially designed and tuned to capture the low punch of low-frequency instruments like kick-drums or bass-amps. With integral stand mount. Type: Dynamic, moving coil.Polar pattern: Super Cardioid Freq. response: 20 to 12.500 HzSensitivity (1000 Hz): 2,2 mV/Pa* (*1 Pa = 94 dB SPL)Max. SPL: 134 dB (THD ? 1% 1000 Hz)Impedance: 500 OhmPower supply: noneConnector: 3p. XLR (male-type)Accessories: Treat adapter 5/8, 4/8, 3..

• Drumclamp & anti shock mount included The DM-45 is a dynamic super cardioid microphone designed for instruments like, strings, brass, percussion, acoustic guitars and guitar amplifiers. It has a wide and flat frequency response to achieve a natural sound and high gain before feedback. The built-in hum-bucking circuit effectively reduces interferences. A mic clip, drum clamp and shock mount are all included together with a pouch to fulfill many applications. Type: DynamicPolar Pattern: Super ..

• Combine with CM-95 for an excellent kick drum sound• Dynamic microphone• 148 dB max SPL• High gain before feedback• Built-in mic clamp This DM-55 kick drum mic has a warmer sound and can handle higher SPL's than the DM-20. If you use it together with the CM-95 (D1355) you can be more flexible with creating your own drum sound. Type: DynamicPolar Pattern: Super cardioidFrequency Response: 30-10,000 HzSensitivity: -61 dBV/Pa (0.9 mV)Max.SPL: 148 dB SPLOutput Impedance: 200 ?Power supply: NoneC..

• Extended frequency response and wide dynamic range for pure and natural sound delivery• Good flexible gooseneck and adjustable axis ensure a precise positioning of the microphone• Clamp with soft grip for secure mic.- mounting without damaging the instrument• Windscreen to prevent pop noise effectively• A mini-XLR-connector for use with the belt-packs from the eclipse range The ECLM-70 Miniature clip on condenser microphone is designed for the miking of percussion, brass and woodwind instrumen..

The DAP HM-30 is a successor of the legendary crystal-type microphones used for blues-harp. With the latest microphone technology and very fine machining, we present a very cute microphone that will help you steal the show. Type: Dynamic, moving coilFreq. response: 40 Hz - 16 kHz (-3 dB)Polar pattern: cardioidSensitivity: 1,2 mV/Pa -58 dB -Max. SPL: 140 dBImpedance: 220 OhmPower supply: noneConnector: 3p. XLR male typeNet weight: 276 g Dimensions: 57 mm (diameter) x L 76 mm..

The unidirectional dynamic microphone DAP PL-07 is ideal for live sound reinforcement and clear recording of Brass, Saxophone, Harmonica, Snare, Tom, Congas and Guitar-Bass Amps. Type: Dynamic, Moving coil.Freq. response: 40 to 16.500 HzPolar Pattern: Cardioid Sensitivity (1000 Hz): 1,7 mV/Pa* (*1 Pa = 94 dB SPL)Max. SPL: 137 dBImpedance: 600 OhmPower supply: noneConnector: 3p. XLR (male-type)Accessories: 6 m balanced cable with XLR plugsDimensions: Ø 32 mm x L 157 mmNet. Weight: 0,245 kg..